Experimental Fim Study
Norman McLaren’s ‘Dots’ (1940) is a seminal work in experimental film.
Categorisation: ‘Dots’ is an experimental animated short film. It merges elements of abstractions with animation, creating a visual experience which does not have a direct narrative structure. The film is set in a minimalist space defined by blue dots of various forms and sizes that interact in a rhythmic manner against a red background. ‘Dots’ explores themes of movement, rhythm, and visualization of that phenomena. It comments on the nature of animation itself, challenging viewers to consider the relationship between sound and image.
Form and Function: In this film we can see a non-linear format that challenges traditional rules of storytelling. The absence of a plot allows for a broader exploration of visual rhythm and harmony, where the movement of dots can evoke emotions.
Process: ‘Dots’ uses hand-drawn animation techniques, with McLaren directly manipulating materials on film stock. The use of stop-motion and frame-by-frame animation which allows for better control over the movement of dots.
Formal Elements: Movement is central to ‘Dots’ with each dot’s trajectory carefully choreographed to create a sense of rhythm. The pacing varies throughout the film creating a dynamic viewing experience. The transitions between different movements and formations of dots are synchronized with the accompanying music.